Scott Lavene Shares New Single ‘Paper Roses’ ft. Craig Finn (The Hold Steady)
Scott Lavene | Credit: Hannah Turk
“once upon a time, he’d have found a home on Stiff Records, alongside Ian Dury and Wreckless Eric, even Jona Lewie, and he’d have become a national treasure." - The Spectator
“Think Baxter Dury’s warped kid brother.” - The Times
“Sounds like an updated version of something that Stiff records would have released in the 70’s.” - Steve Lamacq
"Can't stop listening, it's everything I like all at once." - Craig Finn (The Hold Steady)
"Full of great poignant, funny and sad songs that display the man’s great writing talents. At times he’s David Bowie, Syd Barrett and Ian Dury at the same time.”- Louder Than War
"Mordant, spivvy, pop-punk TMI gabble about the urgency and futility of it all from lyrical Essex motormouth." - MOJO on “The First Time”
Today, storyteller Scott Lavene has shared ‘Paper Roses’, the latest single from his highly anticipated forthcoming album - out 10th May via Nothing Fancy. The single follows the recent announcement a new UK headline tour, and features his friend Craig Finn (The Hold Steady) on guest vocals.
A born storyteller, through his records and his writing – he sends out monthly short stories under the title ‘Bits & Bobs’ via his mailing list and is currently working on his first novel – Lavene has long been populating a hallucinogenic world of his own creation with ne’er do wells, ragamuffins and eccentrics. From a man draining the blood of property agents in the aid of local businesses to a talking horse who travels Europe selling hash, gambling and performing covers of Talking Heads, Disneyland In Dagenham will prove no exception.
“I was not afraid to include everything that I like, whether or not it’s really eccentric. I wasn’t afraid of just making the record that I wanted.” Lavene says. “I think I have a really good memory for emotion. I think it’s because I’m riddled with self-pity!”
The new single "Paper Roses" follows Scott's tongue-in-cheek single “Sadly I’m Not Steve McQueen”, and his monologue on his home county, "Disneyland In Dagenham". Speaking on Craig Finn's involvement he says:
"[It's] a total honour to have him and his words on one of my songs. The song was just going to be an album opener, a short ditty but when Craig and I first started chatting I asked him he fancied adding a verse and voila. Enjoy."
Watch the video ft. Craig Finn here
In the 1980s the Walt Disney Company were considering building their first European theme park not on the outskirts of Paris, but in Dagenham, Essex. In his youth, Scott Lavene used to pick up drugs from a dodgy flat overlooking the proposed site. Disney and Dagenham were never a good fit, he thought, as he stood on the balcony one evening as the sun set, awaiting an overdue hash delivery. It never happened of course – perhaps the multinational corporation were put off by the sewage works and car factories that Mickey Mouse and Goofy would have counted as their neighbours.
A born storyteller, through his records and his writing – he sends out monthly short stories under the title ‘Bits & Bobs’ via his mailing list and is currently working on his first novel – Lavene has long been populating a hallucinogenic world of his own creation with ne’er do wells, ragamuffins and eccentrics. From a man draining the blood of property agents in the aid of local businesses (‘Keeping It Local’) to a talking horse who travels Europe selling hash, gambling and performing covers of Talking Heads, Disneyland In Dagenham is no exception.
‘Custard’ is a song about his drinking a pint of custard straight from the carton, and his five-year-old daughter nagging him to get a dog - “these days I’m a dad of three,” says Lavene, “so initially I just wanted to make an album about living in the suburbs and raising kids.”. ‘Rats’ concerns the rodents that were there to greet the Lavene family when they moved into a new house. When the past does rear its head, it’s often through a haze of melancholy. “I’m nostalgic by nature,” Lavene says. “I think I have a really good memory for emotion. I think it’s because I’m riddled with self-pity!”
Before long, of course, Lavene realised his storytelling couldn’t be contained by so simple a brief. ‘Debbie’, for example is a bizarre and semi-fictional song about fading love, based around a transfixingly woozy guitar line. “It’s a fucking weird song, but also my favourite thing I’ve ever done. So how could I not include it?” Lavene says. “The album is really about saying fuck the rules, write whatever you like.”
Whether lyrically, or through music that leaps from spiky psychedelia to flute-driven crooning, driving wah-wah rock n roll to a sleazy Serge Gainsbourg-esque shuffle, Disneyland In Dagenham is therefore a record that’s frankly bonkers in its scope.
He made it at swift pace Benjamin Woods of The Golden Dregs, after Lavene sold a guitar to pay for a week at Greenwich’s Vacant TV studios. It was a cold December and they were limited for both time and gear so they recorded quickly in hats and coats, Woods adding drums and occasional guitar and synth. It was fleshed out later with some further home recordings and friends’ contributions on saxophone, flutes and percussion. It's Lavene’s third since getting sober, and with each album he’s got closer to the point at which he now stands, a moment of total self-assurance.
“My music’s a bit marmitey,” he says, but for those who love it it’s a love that runs deep – a recent crowdfunding campaign for Lavene to set up his own home studio, for instance, rapidly outstripped its target, setting the stage for “the grotty Essex Neil Young album” he’s already got in the pipeline. “There aren’t any songs of mine that are specifically about mental problems, but the amount of people that have come up to me and said that my music has got them through a really tough time. One guy said that he had tried to kill himself the year before and found my music when he was in hospital. He was like, ‘You made me want to stay alive’. That is really, really special.” An audience that’s both smaller and more dedicated can mean a type of connection more worthwhile than any arena show, he says. “That guy’s come to three or four gigs since then, and to meet the guy is just so fucking beautiful. Music’s given me a lot over the years, and I find it bizarre and wonderful that mine can give that to people too.”
It’s not hard to see why. Though in person he’s thoughtful and softly-spoken, onstage Lavene is a born entertainer; a comedian, raconteur and storyteller as much as a musician. “I’m like a Butlins Redcoat,” he jokes. "It doesn’t matter if it’s 10 people or 1,000, I can entertain a crowd with a drum machine and a guitar. I like when people say that they can be laughing, then crying literally five seconds later within the same song.” It’s a safe bet, then, that in the wake of Disneyland In Dagenham there’ll be plenty more converts to follow.
Disneyland in Dagenham is out 10th May via Nothing Fancy
– Pre-order here / Bandcamp here
Full bio here
Tracklisting:
1. Paper Roses (featuring Craig Finn)
2. Custard
3. Debbie
4. Horse and I
5. Disneyland in Dagenham
6. Sadly I’m not Steve McQueen
7. Julie Johnson
8. Little Bird
9. Rats
10. Keeping It Local
Live dates:
Fri 10th May, London, Rough Trade East
Sun 2nd June, Liverpool, Kazimier Stockroom
Mon 3rd June, North Shields, The Engine Room
Tue 4th June, Glasgow, The Hug & Pint
Wed 5th June, Hull, The Adelphi
Thu 6th June, Leeds, Hyde Park Book Club
Fri 7th June, Manchester, 33 Oldham Street
Sun 9th June, Stroud, The Prince Albert (Matinee)
Mon 10th June, Bath, The Bell Inn
Tue 11th June, London, The Lexington
Wed 12th June, Brighton, The Prince Albert
Fri 14th June, Bristol, Crofter's Rights 2
Tickets are available here
(Guestlist available upon request)
Follow: Facebook / Instagram / Spotify / Apple Music / Bandcamp
