Trixie Whitley 'Porta Bohemica' due early March 2016

Album release: 'Porta Bohemica' by Trixie Whitley
Release date: March 2016
Label: Strong Blood Music/BMI
More info: Artist website

Porta Bohemica is the name of an old train line that once connected Germany and Austria. Acclaimed singer-songwriter Trixie Whitley, was inspired by the concept of such remote journeys when choosing a title for her latest album. Her sophomore release, Porta Bohemica (Strong Blood Music/BMI), represents an introspective expedition into the depths of her creative identity, culminating in her resolve to fearlessly let go of gratuitous baggage, not needed on future travels. 

“The metaphor of an old train line feeds something in my imagination. I related to that sense of travel when making this record because it was an epic undertaking. It involved letting go of my past to embrace my individuality both as a young woman and as an artist. This record has been something of a rebirth for me,” the Brooklyn-based artist says. 

Trixie Whitley was born in Belgium in 1987 and re-located to NYC the following year. When she was three years old she and her mother, a philosopher and healer, return to Belgium. 

From a very young age, Trixie Whitley nurtured a singular creative spirit, springing from her restless inner directive. Art is inherent in her genetics: she is the daughter of the late Chris Whitley, a renowned blues musician and innovative writer; her great-grandfather was Georges Minne , a sculptor and artist, muse and contemporary of both Gustav Klimt and Egon Schiele; her grandfather was an upright bass player; her Grandmother was a model, anarchist and bronze sculptor. At the ripe age of three, she made her onstage debut alongside her father. Never resting on her lineage, Trixie set out to craft a unique personal and artistic identity. At age 10, she picked up her first instrument, the drums. The following year, at age 11, she emerged as an intrepid DJ; with residencies at Modern Art Museums and underground festivals, spinning electronica, free jazz, and hip-hop. Throughout her teenage years, she toured with several avant-garde theater and dance groups throughout Europe; including Les Ballets C de la B, Sidi Larbi and Cherkaoui. 

Throughout all of this, she developed an affinity for punk rock’s nonconformist and D.I.Y. ethics that permeated her fearless genre-bending and daring life choices. After a nomadic transatlantic existence, living between New York and Belgium, and touring throughout Europe with several contemporary dance companies in her early teens, she quit high school at age 16 and took a job slinging burgers at dive while steadily advancing her music career. One of her early efforts impressed the iconic producer Daniel Lanois (Bob Dylan, Neil Young, Emmylou Harris). At the age of 21, she was enlisted to front his own band, Black Dub, playing alongside drummer Brian Blade and bassist Daryl Johnson. The following year the Black Dub self-titled album was released. 

Since 2013, Trixie has emerged as a compelling solo artist with three EPs and one full-length in her catalog. Fourth Corner, her self-released, full-length debut, garnered acclaim from MOJO, Interview, ELLE, Relix, The Village Voice, NPR and The New York Times, among many other publications. Through it’s success, she’s toured internationally and earned three nominations, as well as a win for Best Female Artist at the 2013 Belgium Music Industry Awards (MIAs). She has performed and recorded with such artists as Robert Plant, Marianne Faithful, Meshell Ndegeocello, Daniel Lanois, Marc Ribot, Bill Frisell, Joey Waronker, Mark Guiliana, Sam Amidon, and many more.

Trixie’s prismatic artistry reflects electronica, R&B, the vulnerable ethos of singer-songwriters, and the unapologetic individuality of punk rock. Although her previous effort reflects her broad tastes, it is with her latest that Trixie creates a transcendent musical miscellany. It even took chucking an earlier version of the record and starting over to achieve the meaning and mastery displayed in Porta Bohemica, which flourished with the help of producer Gus Seyffert (Beck, The Black Keys) and Joey Waronker (Atoms for Peace, Ultraísta). 

“I wanted to make people think and feel something honest and emotionally complex in my music--that came from me being present in the creative moment. I ended up finishing two records, the second one being Porta Bohemica, and it really came together at the end of the process,” Trixie confides. 

The album is bookended by the slow burning “Faint Mystery” and “Visitor.” The tracks are stately and spectral, elegantly vulnerable, and convey a desire for lost love in contrasting yet cohesive form. “When I started recording this album, I wanted to tap into complete openness,” Trixie explains. 

“New Frontiers” puts forth a tender, ethereal soulfulness while “Visitor” cuts to the core with Trixie’s honeyed, longing vocals and lonesome piano accompaniment. These tracks are the directional poles of the album, and capture the heart of her artistry. Other standouts include the ominous electronic blues of “Soft Spoken Words” and the lush “Salt.” On “Salt,” Trixie’s vision is at it’s grandest with rhythmic piano melodies, atmospheric keys, a big guitar riff, and hypnotic hip-hop beats. Throughout the album, Trixie’s lyrics express a resilient emotionality. “I hope my music generates a strength through vulnerability that invites people to be courageous enough to explore what’s inside,” she says. 

Porta Bohemica was nearly a two-year odyssey that profoundly changed the artist. “I came to a lot of realizations making this record,” Trixie reveals. “When you let go of your fears, you can start facing your potential and there is an endless palette of possibilities to explore. This is just the beginning, and I feel a lot of excitement and optimism about what’s to come.” 

Porta Bohemica will be released in the UK March 2016.  Digital copies available on request.